Art and Cultural Property Law
UK-wide
4 years ranked
Provided by Mishcon de Reya LLP
Karen founded Art Law at Mishcon de Reya in 1995. Clients she represents, across the globe, include artists and their estates, collectors, dealers, art foundations and charities, auction houses, galleries, museums and governments. Karen advises on a wide range of art related matters such as sale and purchase of art, artists' rights, their legacy, creation and management of artists estates, disputes over attribution, authenticity and ownership, cultural heritage matters, restitution of looted cultural property and anti-money laundering regulations.
Partner, Mishcon de Reya LLP
Assistant, Mishcon de Reya
Articled Clifford Chance London and Paris
https://www.mishcon.com/news/is-hong-kongs-art-market-slowly-bouncing-back-mdri-report-referenced-in-financial-times
Advising on a dispute over Museum Security by Jean-Michel Basquiat between Lord Edward Spencer-Churchill and Jombihis Corporation, Alberto Mugrabi and Faggionato Fine Art, which resulted in a settlement and subsequent sale of the painting for US$14million.
Representing the Commissioners for the Church of England in relation to the sale of the Zurburán Old Masters at Auckland Castle, County Durham.
Securing the return of the Head of Amenhotep III (14th Century BC) to the Arab Republic of Egypt.
Representing the estate of Williams Roberts RA.
Provided by Chambers
Provided by Chambers
Karen Sanig is my first-choice art lawyer. Karen surpasses all the other lawyers I have worked with in every respect with her complete understanding of client needs in this very specialised field. Her total dedication to her clients is exceptional.
Karen Sanig is amazing and a real trailblazer in this sector.
Karen Sanig is my go-to for strategic advice. She's at the top of the game and has unbeatable sector knowledge.
Karen Sanig is one of the most extraordinary people one could hope to work with in the field of art law. Her ability to offer guidance in solving the most extraordinary and challenging commercial problems remains unsurpassed in the field of art law.
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