UK UK-wide Media & Entertainment: Music: Non-contentious

Andrew Thompson has a fantastic roster of talent clients built over a long career advising on the music industry. He is one of the firm's founding partners and continues to assist with commercial and contractual agreements for composers, producers, managers and artists.

Chris Organ has worked with many world-conquering musicians and performers over the years and continues to advise key clients on all manner of commercial transactions.

Paddy Grafton Green is a music industry expert with deep experience advising well-loved entertainers. He advises on the full span of commercial agreements, corporate transactions and tax structures, and acts as executor to several late artists' estates.

Peter Button is a consummate music industry lawyer, and advises legendary artists as well as publishers and record labels. His advice extends to all conceivable commercial and contractual arrangements.

Robert Lee has a long and successful track record as an adviser to both artists and record labels. He has worked with independent, up-and-coming and internationally popular acts, advising on both contentious and non-contentious matters.

Howard Jones is the firm's managing partner and is one of the UK entertainment industry's most venerable advisers. He is particularly celebrated for his work in music and theatre.

Andrew Myers acts for world-conquering artists, ranging from much-loved legacy acts to recent breakthrough stars. He advises on all commercial and corporate issues they may face, including negotiating recording agreements and reviewing management responsibilities.

Euan Lawson serves as managing partner at Simkins. He advises talent, rights holders and industry-side clients in music and across the media on the full spread of commercial agreements, company formation and high net worth tax management.

Gavin Maude leads the music department at Russells. He is relied upon for commercial legal advice by an impressive roster of British recording artists and leading industry executives.

Lawrence Engel leads the firm's music practice. He is the relationship partner to many of the best-loved UK artists to have emerged in recent years.

Berkeley Edwards represents an impressive roster of emerging and established artists, songwriters, producers and managers. He has experience helping clients with documentary agreements.

Gregor Pryor is the managing partner of Reed Smith for Europe and the Middle East. He works at the convergence of music rights, digital media and interactive content. He acts on behalf of talent as well as industry-side clients.

Kieran Jay is head of the music group at Harbottle & Lewis. He advises artists, producers and songwriters as well as independent management, publishing and record labels on all manner of commercial arrangements.

Nicky Stein is relied on by many of the world's most popular music artists, as well as leading producers and songwriters, to broker and renegotiate their contractual arrangements with major labels and music publishers.

Simon Esplen serves as managing partner of Russells. He represents recording artists, estates, touring companies, labels and media companies in all manner of commercial arrangements and song catalogue deals.

Sonia Diwan continues to impress market commentators with her representation of artists, producers, songwriters and management companies in all manner of commercial and contractual matters. A large part of her client base comes from the dance, grime and urban scenes.

Christopher Gossage is head of Russells' corporate team. He is known for his work advising talent and industry-side clients on the full range of commercial contracts, catalogue deals and also big-ticket corporate transactions.

Ed Baden-Powell advises music industry and wider media clients on IP, franchise and catalogue licensing, and contracts of all kinds. He is also recommended for advice on corporate acquisitions and joint ventures.

James Harman advises talent-side clients on recording, songwriting and publishing contracts, as well as book deals, licensing and merchandising. He also acts for literary agencies.

Jo Brittain leads the new artist department at Russells. He advises music artists on record and publishing deals, as well as commercial contracts and international sponsorship agreements. His practice particularly focuses on representing emerging and breakthrough talent.

Lizzie Payne-James is lauded for her work as a talent-side legal and commercial adviser to both emerging and established music acts. She also frequently acts for companies such as independent record labels and boutique agencies.

Richard Baskind leads the music team at Simons Muirhead Burton. He is recognised for his work acting on the sale and acquisition of music assets, at the commercial licensing and also catalogue deal and corporate levels. He acts for a broad range of clients including artists, songwriters, publishers and management companies.

Russell Roberts represents talent, executives, music publishers and record companies in negotiations for all kinds of commercial and corporate agreements. These range from catalogue and image rights deals to joint ventures and share offerings, as well as employment matters.

Alexander Ross leads Wiggin's music department. He is recognised for his expertise in the licensing of music and content across all manner of media formats, with a particular focus on digital platforms.

Chloe Forsyth advises clients on a range of agreements, including recording, publishing and producing. She is well thought of for her advice on the treatment of music rights across all conceivable media formats, from film and television to video games and advertising. She acts for talent, emerging media companies and major labels.

Cliff Fluet works at the intersection of music and digital media. He offers comprehensive advice on the treatment of music copyright and brand content by streaming services and multimedia platforms.

Liv Lyons is sought after for her expertise in branding deals on behalf of high-profile music talent, and in media rights licensing more widely. She also acts for talent agencies and management companies.

Nigel Jones is recommended for his work on behalf of major music talent and companies in the industry. He advises on licensing and distribution, tours and merchandising, and music catalogue transactions.

Robert Horsfall acts for emerging and celebrated legacy artists as well as management companies on commercial agreements of all stripes. He is also recommended for contract, copyright and partnership disputes.

Ryan Vince advises many of the firm's leading artist and executive clients on commercial and corporate matters. These include catalogue sales, investment arrangements and M&A transactions.

Simon Jordan has particular expertise in providing emerging artists the legal assistance they require, including publishing agreements and joint venture label deals.

Stephen Luckman's client base includes up-and-coming and well-loved legacy artists, as well as management and media companies. He advises on commercial contracts, licence agreements and IP rights.

Halina Wielogorska of Level is an up-and-coming partner with a broad practice in the music industry, advising on establishing labels, NFTs and festival planning.

Nick Eziefula acts for a variety of digital media clients drawn from the music, publishing and social media industries. He advises on commercial and intellectual property matters as well as compliance and regulatory issues.

Nick Weaser is a partner at Keystone Law. He is called upon by artists, producers and managers alike to advise on all manner of issues including commercial contracts, recording and publishing agreements, and live performance.

Victoria Wood has an impressive talent-side music practice which sees her regularly advising recording artists, DJs, songwriters and independent record labels.